Maternal Dementia

We hover around the wood stove. Its cylinder drum radiates a fierce heat if you stand too close, but still it’s not enough to warm the entire room. We live mostly in this room, the main room of our country house, venturing outside only to acquire more firewood or to go the neighbor’s bench to tap into their wi-fi network. Unless you’re near the fire, you might as well be upstairs, or outside. It’s cold, and raw.

De-facto installed an electric heater in the new room in the back of the house – the guest room – so that the girls could have a warm place to sleep. The first night we were here they gutted it out in sleeping bags in the loft. I didn’t like the fact that I could see my breath when I was tucking them in, but that loft is the kid’s world and Short-pants especially was determined to sleep there.

At the country house our sleep is sound and heavy. We wake naturally, without any alarm, a luxurious break from the get-them-off-to-school morning grind. I rise and make my way downstairs to stoke the stove. De-facto has made a science of stuffing it full and closing the vents for a slow burn all night long. I have been chastised to save the thickest logs for these overnights. In the daytime, we burn smaller wood and the floorboards we removed to create the loft in the room that’s now too cold to sleep in.

The coffee press produces its black elixir, mixed with milk steamed in a dented saucepan on our beat-up three-burner cooking stove. The mug warms my hands as I sip from it, staring out the window at the wet trees. If it weren’t raining, if the sky were blue and the ground dry, I’d go out and prune the grapes and cut back the rose bushes. De-facto could climb up on the roof and reorder the misplaced tiles that are causing the gentle drip-drop in our bedroom. But it is raining, and I don’t even mind. The rain quiets us and turns us inward, the right spirit for the end of the year reflection and assessment.

Short-pants and Buddy-roo stumble out of their slumber, rubbing their eyes and scratching their bed-heads. Their pajamas reveal knobby ankles and long, thin forearms; their country house clothes are all just a bit too small for them. Things gets dirty and ruined so easily here, it’s become the stopping-off place between their good “city clothes” and the good will. They look like urchins, or something out of a bleak Dicken’s story.

I make them a tartine with butter and honey, and heat up some pain au raisin from the bakery. More milk is warmed, this time to make hot chocolate. The futon couch has been moved so it’s right next to the wood stove. We sit on it together. We don’t talk: it’s too early for words or it’s too quiet for words or else they just aren’t necessary. We stare at the stove, listening to it pop and crackle, listening to the rain against the glass panes, the dripping faucet, the creaking and groaning of the house. We sit like this for a long time, doing nothing but staring and listening.

It’s a lost art, the art of doing nothing, ill-practiced these days in our world filled with 24/7 news sweeps, iPhones that ding in the night and a constant stream of feeds and posts we’re supposed to like or not. People sleep less, rush more. We are compelled always to be busy at something. To do nothing is to stand still against the rush of activity in which the world is so seriously engaged. Productivity and efficiency and impact – these are the measures of success. But are they the best measures of contentment?

At home, it’s hard to do nothing. There’s always something calling: things that need to be straightened, organized, fixed, cleaned, started or finished. Not that there aren’t plenty of projects at this country house, but when it’s cold and rainy, most of them can’t be tackled. And since (up until now) we haven’t installed an internet connection, the distractions of email, social networking and other web activity disappear. There’s empty time and space, with no urgency to fill it.

Eventually there were words. A description of last night’s dream. A question about the smoke from the fireplace. A remark about how nice it is to have nothing to do. De-facto stirred upstairs – there is no insulation between the floors so you can hear every word, every footstep – we listened to him groan out of bed and run through his morning yoga poses before he trampled down the stairs and turned the corner into the kitchen to catch the three of us there, cuddled up on the couch, by the fire, doing nothing.

“What are we doing?” he said, grinning at us.
“Nothing,” said Buddy-roo.
“Are we happy?”
“Yes,” said Short-pants.

The country house isn’t my favorite winter destination. In the spring when the days lengthen and the sun is warm, it is much more pleasant. In the summer, there are soft grassy lawns and swings and blackberries to harvest. We leave the doors open and run in and out of the house in flip-flops. In the autumn, the temperature is still gentle and the crisp smell of leaves and the promise of Halloween summon a unique country house mood. But in winter, it’s damp and raw, rainy and windy. The house takes days to heat up. It always feels like the stones begin to retain the enough heat to go without double sweaters just as we’re about to close the house to head home.

Yet it is in this condition that perhaps we learn the most from this old stone homestead, when it draws us in and requires us to wait and watch the weather, when it offers us nothing but a few moments to slow down our thoughts and hear them without the clutter and hurry-up of our day-to-day routines. What I love about the country house is how it asks us to do nothing, and, when that’s what we do, there’s nothing else like it.